The size of the advertising market is difficult to assess, and estimates by analysts vary to some degree. The final cost of advertising for any company includes creative and agency costs; local branding and marketing efforts; catalogs, brochures and other printed matter; the creation and maintenance of web sites and myriad other components, in addition to expenses for media. Numbers that are available for analysis and comparison are generally limited to actual spending on media, such as radio, TV, billboards and paid search or Internet advertising. Even these numbers are often educated guesses. Estimates of ad spending may include spending at both local and national media outlets, as well as spending on Internet media via paid search and online ads.
By all accounts, the recent global recession took an immense toll on the industry, as revenues declined and layoffs were announced, from agencies to broadcasters to magazine and newspaper publishers. Many well-known magazines closed down, and a handful of respected newspapers went to online only versions. Many advertisers were unable to pay their bills. GM alone owed more than $100 million in advertising bills as it entered bankruptcy.
The advertising industry enjoyed a rebound in 2010-11, as significant economic growth boosted emerging nations, and the U.S. and other mature nations found themselves on firmer ground. Analysts at Magna estimated global advertising revenues at $427 billion in 2011 and $449 billion for 2012 (an increase of about 5%).
Analysts at Magna projected U.S. advertising revenues at $173.5 billion for 2011, up a modest 3% over 2010. They expected 2012 revenues to hit $178.5 billion. This remains well below the peak during the last boom, when U.S. advertising revenues hit $206.1 billion in 2007. Among the many reasons for relatively slow growth in American ad spending is the fact that ad rates have been soft. Media firms in many cases have been forced to make generous deals in order to attract scarce ad dollars. This situation is beginning to improve as the economy recovers and advertisers are more optimistic.
On a more positive note, advertising spending is enjoying outstanding growth in emerging markets such as China, Malaysia, Argentina and Brazil. Advertising revenue growth in the emerging world was about 15% in 2011. While growth may be slower in 2012 due to a slowdown in these economies during the first half of the year, emerging economies are nonetheless seen as outstanding advertising markets for the long-term, due to rapid improvements in household incomes, consumer spending and business investment, along with the continuing spread of consumer electronics ranging from smartphones to flat-screen TVs. During 2012, advertising in the U.S. will get a significant boost thanks to the convergence of ad spending on national elections and the Summer Olympics.
Among the best growth areas in advertising in recent years have been advertising on mobile devices, which is still in its infancy, advertising on movie screens and advertising online. Analysts at Gartner expect mobile advertising to reach $13 billion worldwide by 2013. Magna estimates that global online advertising, including search, hit $78.5 billion in 2011.
Advertising is irrevocably linked to media, whether traditional media like the 15,014 broadcast radio stations in America (about $17.5 billion in annual revenues); 2,105 commercial and educational broadcast TV stations plus myriad cable and satellite TV outlets (totaling about $62.4 billion in advertising revenues); the 2,200 daily and Sunday newspapers (about $19.4 billion in annual advertising revenues); or new media like the tens of thousands of Internet sites that now accept advertising. The advertising sector also includes direct mail, at about $26.2 billion yearly in the U.S.; magazines, at about $15.4 billion in revenues; and outdoor (“out of home”) advertising, at about $6.4 billion. In addition, there is significant activity in specialty and alternative advertising, everything from ballpoint pens printed with a message to t-shirts to small airplanes towing advertising banners. Branding, marketing and public relations activities and services generate billions more in revenues.
Advertisers are faced with daunting new realities when considering the various media they might use to get their messages across. Traditional media are losing control over their audiences. That means that advertisers can no longer feel secure that their ads on TV, on the radio or in print are going to receive mindshare. Gone are the days when television and radio programmers enjoyed captive audiences over a handful of networks, who happily sat through ad after ad, or planned their schedules around favorite shows. Consumers, especially consumers in younger demographics, now demand more and more control over what they watch, read and listen to, and thus more control over the advertising they might be exposed to.
Issues and Options Related to Control and Pricing of Entertainment Content:
· Free, advertising-supported content versus paid content
· “Sponsored” content as opposed to traditional advertising support
· Illegal downloads of content versus authorized downloads
· Paid one-time downloads of content for permanent use, versus one-time pay-per-view, versus continuing subscription required to view
· Portability (including the ability for a consumer to download once, and then use a file on multiple platforms and devices such as iPods)
· Delayed viewing or listening (such as Video-on-Demand, or viewing TV programming at the consumer’s convenience via recording devices such as TiVo)
Source: Plunkett Research, Ltd.
Nonetheless, for advertisers willing to adapt to today’s rapidly evolving environment, there is good news. Effective advertising today targets consumers based on things they are passionate about, rather than simply their tendency to watch network TV on Friday night, their age or their household income bracket. That is, the increasing range of niche media now available enables carefully crafted messages to be designed for and delivered to specific consumer “passionate interest groups.” For example, consumers who read
Bon Appétit magazine (gourmet food coverage), watch the Food Network on cable TV and hold Platinum American Express cards are likely to respond to messages that are centered on dining and entertaining well. Obviously, a niche campaign could be created around direct mail to these upscale credit card holders, combined with print ads in the magazine and cable TV ads on the Food Network. This is a target marketer’s dream come true. The product might be fine wines or Viking ranges, but it could just as easily be ads featuring Lexus luxury automobiles shown being used to bring home gourmet food ingredients, drive to a gourmet restaurant or arrive at the Aspen Food & Wine Festival. The campaign might be topped off with special ads or an online contest on the Epicurious gourmet foods web site (
www.epicurious.com) and links to special offers, contests, how-to-cook streaming video demonstrations or useful news on the advertiser’s own web site.
Blogs, interactive magazines in the form of apps, social networks like Facebook, cable TV programming on-demand and cellphone-based entertainment are booming. Never in history have there been so many unique opportunities for targeted marketing based on consumers’ tastes, interests, locations, special needs and passions. In fact, asking consumers to respond by going to a specific web page may finally make advertising truly trackable and results-based—long the holy grail of marketers.
Cutting-edge cable TV technology makes television advertising directed at specific neighborhoods possible for the first time—a boon to advertising by local retailers, local services and political candidates. Interactive television services are growing rapidly, leading to new opportunities for direct-selling via TV. With interactive cable TV, subscribers can order movies on demand and other unique services. They also have the ability to respond to direct sales offers via their cable systems. For example, viewers watching a pay-per-view music concert may be able to order souvenirs such as t-shirts via interactive cable. Cable TV offers another unique advantage to direct sellers and other advertisers. Since the cable system knows the address of the cable subscriber, that address information can be matched against demographic databases to create a unique profile of the subscriber based on likely household income, value and size of the home and other data. Ads displayed by the cable system can then be custom tailored to match the viewer’s profile.
A true sea change in the way that television is watched and used is occurring as consumers purchase the first wave of Internet-enabled television sets manufactured by Sony and others. A direct link from the screen to a set-top box or other controller (e.g. media center PC) to the Internet means that interactive viewing will be brought to new levels. It also means that the download and local storage of content will be more convenient than ever.
Meanwhile, the use of ads that are intensely targeted to “passionate interest groups” is long past-due. By one count, Americans are subjected to 3,000 commercial messages daily—most of which, such as billboards, occur randomly. A study by Yankelovich Partners found that two-thirds of Americans feel “constantly bombarded” by ads and nearly as many respondents felt that these ads have little or no relevance to them.
The competition among entertainment delivery platforms has intensified. Satellite radio delivery of subscription-based music and talk programming has reached more than 20 million subscribers at Sirius XM. Telecommunications companies such as AT&T are now delivering television programming to the home via telephone wires, battling cable and satellite TV firms for market share. Millions of cellphone owners are subscribing to mobile video, enabling them to watch news, entertainment and sports on color cellphone screens.
Today, electronic offerings such as DVDs, digital video recorders (DVRs), video-on-demand (VOD) and MP3 players have vastly altered the way consumers enjoy entertainment. People watch and listen according to their own desires and whims. Miss the finale to a favorite television show? Rent or buy it on DVD, or record it to watch later. Interested in only one track from a recording artist’s new CD? Buy and download just the one song via the Internet at iTunes. Love a prime-time drama on a major network but hate commercials? Record the show while ignoring the commercials with a DVR.
The implications of these changes are staggering. The business models upon which most media have traditionally run are becoming obsolete. Revenue from advertisers is in jeopardy at traditional outlets, while advertising at new media, including online, is soaring. Television programming schedules are losing relevance while electronic program guides are becoming more and more vital. Media companies and the advertisers that rely on them are being forced to radically change to deal with new technologies and new demands from consumers.
Rapid changes in viewing habits are already occurring. Network TV news, radio news and newspapers all find that they have to compete fiercely against Internet-based news content. A large portion of sports programming has migrated away from “free” broadcasts on TV and onto paid cable channels and pay-per-view systems.
Meanwhile, media platforms and ad delivery are evolving quickly. Multipurpose cellphones are now used for more and more entertainment purposes. Game machines are going multipurpose with the ability to connect to the Internet. Broadband to the home has grown to vast, mass-market numbers, while high-speed wireless connections are enhancing the use of entertainment and media on the go. A serious evolution of access speeds and delivery methods will continue at a rapid-fire pace, and media companies will be forced to be more nimble than ever.
Globally, more and more households are gaining access to the Internet, creating even more opportunities for online advertising, with an estimated 2 billion broadband Internet users worldwide, including fixed and wireless, as 2012 began. The global base of cellphone subscriptions now tops 6 billion.
In magazine publishing, some niche publications have been enjoying high advertising page counts. Fashion magazines and bride’s magazines, for example, remain robust. However, news magazines, business magazines and other broad interest publications are losing advertising clients to online and cable TV media, and are becoming thinner than ever. Newspapers are finding it increasingly difficult to compete against Internet news and advertising delivery rivals. In 2008 and 2009, during the recession, there were significant closings of major newspapers in the U.S., such as the Denver area’s Rocky Mountain News. The Seattle Post Intelligencer stopped making printed editions and went online only in March 2009, after slashing the size of its news staff. Other newspapers have reduced the size and frequency of printed publication. The Detroit Free Press put an end to daily home delivery. Classified ads are migrating quickly to web sites such as Craigslist.com. Traditional radio broadcasting is suffering also, finding it increasingly difficult to gather listeners for advertising-based radio programming due to such alternatives as satellite radio and iPods.
On a brighter note, advertising, long the main revenue source for much of the media industry, is supporting an entirely new industry: paid Internet search and online advertising, totaling about $30 billion in the U.S. for 2012, and $90 billion globally, according to Plunkett Research estimates.
Top-Tier Global Advertising Agencies
Omnicom Group, Inc.
Employees: 70,600
Fiscal 2011 Sales: $13.9 billion
Fiscal 2011 Profits: $952 million
Omnicom was created in 1986 through the merger of BBDO, a marketing and communications firm, Doyle Dane Bernbach, a major advertising agency, and Needham Harper, whose client list included such big names as McDonald’s. Steady acquisitions followed, including TBWA, one of the foremost European advertising agencies, and Gotocustomer Services India. In 2011, the firm’s DAS division acquired Nancy Bailey & Associates, Inc., a corporate licensing company, and Communispace Corporation, a firm involved in the operation of online consumer insight communities.
WPP plc
Employees: 104,052
Fiscal 2011 Sales: $15.9 billion
Fiscal 2011 Profits: $1.33 billion
Martin Sorrell founded this British holding company in 1985, when he bought the public company Wire & Plastic Products (WPP) plc. WPP made its first major acquisitions with JWT (J. Walter Thompson) Group, a global full-service agency, and MRB Group, a market research company. It went on to buy Ogilvy Group, as well as a plethora of companies engaged in advertising, consulting and public relations, information technology and healthcare. Today, the combined companies work out of 2,400 offices in 107 countries. In 2011, WPP Digital launched Possible Worldwide, a global interactive marketing agency.
Interpublic Group of Companies
Employees: 42,000
Fiscal 2011 Sales: $7.0 billion
Fiscal 2011 Profits: $532.3 million
Interpublic acquired its first company in 1960, the advertising powerhouse McCann-Erickson. Interpublic lost some steam in the economic slowdown of 2001 after making some expensive acquisitions, including Foote, Cone & Belding. In a five-year buying binge the company collected 300 properties. After its numerous acquisitions, Interpublic restructured in order to reduce expenses and offer more efficient turnkey services to its clients. In 2011, the firm acquired Nicole Weber Communications, a German consumer lifestyle agency, and FUSE, a UK-based digital and interactive agency. Additionally, the company announced the creation of Amusement Park Entertainment, a joint venture with creative director Jimmy Smith.
Publicis Groupe SA
Employees: 49,000
Fiscal 2011 Sales: $7.7 billion
Fiscal 2011 Profits: $792.1 million
Founded in 1926, Publicis has long-standing relationships with several major companies. It has served clients such as Colgate-Palmolive and L’Oreal, as well as publishing houses and broadcasting stations. The company made its first major acquisitions in the 70s with Dutch-based Intermarco and the British firm, McCormick. It achieved “Super Agency” status with the acquisitions of Saatchi & Saatchi in 2001, one of the largest advertising networks in the world, and Bcom3 in 2002. Bcom3 is the parent company of Leo Burnett, another well-known advertising firm. Yet another major toehold came from a strategic alliance with Dentsu, the largest advertising agency in Japan. In 2011, Publicis made a number of acquisitions, including Chemistry Communications Group plc; Interactive Communications Ltd; Watermelon Healthcare Communications Private Limited; Dreams Communication, Rosetta Marketing Group LLC; Genedigi Group; and a majority stake in Spillman/Felser/Leo Burnett. In June 2011, the firm launched a new agency in Ecuador called Publicis Ecuador. In 2012, Publicis acquired Mediagong, The Creative Factory, Pixelpark AG, Flip Media and U-Link Business Solutions Co. Ltd.
Havas
Employees 14,299
Fiscal 2011 Sales $2.2 billion
Fiscal 2011 Profits $158 million
Havas is a global advertising and communications services group. Headquartered near Paris, Havas has two principal operating divisions: Havas Worldwide (operating through its largest group Euro RSCG Worldwide) and Havas Media. A multicultural and decentralized group, Havas is present in 75 countries through its networks of agencies and contractual affiliations. The group offers a broad range of communications services, including traditional advertising, direct marketing, media planning and buying, corporate communications, sales promotion, design, human resources, sports marketing, multimedia interactive communications and public relations. In July 2011, the firm acquired Australian advertising agency Host. In September 2011, the company opened an office in Shanghai, China. In November of the same year, the firm acquired a majority stake in public relations agency Siren Communication.